Zara Larsson’s “Midnight Sun: Girls Trip” is equal parts Midnight and Sun
While the album shines in its collaborations and intersectionality, its inconsistent production and disjointed lyricism obstructs the vision
Ed Sheeran’s ‘Play’ may struggle to shine like a sapphire
Although Ed Sheeran’s eighth studio album includes multicultural influence, his album blurs together due to the lack of variety in his tracks
‘MAYHEM’ is a masterful and fun dance-pop record
Besides being chaotic, "MAYHEM" keeps listeners on their toes with its astonishing delivery
Tate McRae’s ‘So Close to What’ is so close to incoherence
The rising star’s album is overstuffed with hopeful pop hits that pay no regard to its tracklist
‘THINK LATER’ paints heartbreak in a beautiful way
Tate McRae’s sophomore album is relatable and addictive
‘Heaven knows’ only knows how to stray away from prior success
In the attempt for diversity, PinkPantheress’ second studio album lacks cohesiveness
‘Optimist’ lacks originality and fails to impress
FINNEAS’ debut album falls short of the bar he set in his previous music
Max Martin: Pop music’s resident hitmaker
Max Martin has scored 23 number one songs in 22 years
A look into Taylor Swift’s unexpected album “folklore”
Swift pulls off a new genre while staying true to her roots
