El Estoque

“Fearless (Taylor’s Version)” exceeds fan expectations

Kripa Mayureshwar and Shivani Verma • June 3, 2021

Fans reflect on Taylor Swift’s first re-recorded album

Leanna Sun • May 21, 2021

“Build a B*tch” serves as a fitting transition into the music industry

Justine Ha and Tina Low • May 21, 2021

Reviewing nearby taco trucks based on quality, price and taste

Claire Wen and Brian Xu • May 18, 2021

Examining how the hyphenated American experience is portrayed in films and TV shows

Justin E Kim • May 7, 2021

The 70 minute premiere revamps what could have been its predecessor’s eighth season

Sean Yagi, Staff Writer • April 29, 2021

The North Carolina rapper satiates fans with a short but fulfilling EP

Annie Zhang • March 14, 2021

Although artistically crafted, ‘R’ is generically forgettable and doesn’t present all of Rosé’s soloist potential

Sean Yagi, Staff Writer • October 2, 2020

Inconsistency on the R&B singer’s sophomore studio release severely limits its replay value

Melody Cui • September 16, 2020

A review of Battlegrounds, Fall Guys and Among Us

Aditya Shukla • September 13, 2020

Exploring “No Pressure” to understand his reasons for leaving the rap game

Sean Yagi, Staff Writer • May 22, 2020

‘Starz’ is Lean’s most complete and well-produced album yet

Ayah Ali-Ahmad • May 22, 2020

The 1975’s drops their latest album “NOACF”