REVIEW: ‘The Crux’ gets back into the heart of things
Djo’s third album is playful, if patchy
Jennie’s debut album is a “Ruby” in the rough
Ruby gives listeners a look into every part of Jennie’s discography
‘MAYHEM’ is a masterful and fun dance-pop record
Besides being chaotic, "MAYHEM" keeps listeners on their toes with its astonishing delivery
‘Love & Hyperbole’ is no exaggeration of love
Alessia Cara’s new album showcases impressive growth as a singer and songwriter
‘$ome $exy $ongs 4 U’ is Valentine’s Day slop
Let’s hope Drake won’t meet anyone’s madre anytime soon with his immature and juvenile lyricism
‘Hurry Up Tomorrow’ crosses the finish line of The Weeknd’s career
The Weeknd releases his sixth and final studio album
‘rosie’ by Rosé is a dime a dozen
Rosé’s debut album is a nostalgic but lukewarm attempt at reflection on a past relationship
2024 Year in Review
El Estoque’s Arts & Entertainment section revisits significant pop culture media from 2024
‘CHROMAKOPIA’ is Tyler, the Creator’s most personal and vibrant record yet
Tyler's new album contains shades of maturity arranged into a colorful mosaic of life experiences
‘Godspeed’ blesses listeners with its revelry
The Blessed Madonna’s first album overflows with life
‘For Cryin’ Out Loud!’ is a far cry from fulfilling
FINNEAS’ second album is a vulnerable shot in the dark
‘Requiem’ takes on death’s complexity to make listeners feel alive
An expansion of Keshi’s discography provides a mix of soulful and soulless tracks